Technologic, or Superficial Observations

28 02 2008
“Buy it, use it, break it, fix it, trash it, change it, mail - upgrade it, charge it, point it, zoom it, press it, snap it, work it, quick - erase it, write it, cut it, paste it, save it, load it, check it, quick - rewrite it, plug it, play it, burn it, rip it, drag and drop it, zip - unzip it, lock it, fill it, call it, find it, view it, code it, jam - unlock it, surf it, scroll it, pause it, click it, cross it, crack it, switch - update it, name it, read it, tune it, print it, scan it, send it, fax - rename it, touch it, bring it, pay it, watch it, turn it, leave it, stop - format it. Technologic.”

- “Technologic”, Daft Punk

Last week, on a work trip to Orlando, several co-workers and I got to discussing technology, its importance and its effect on our lives. The conversation was a haphazard debate on whether technology - specifically websites like Facebook, MySpace, YouTube, et al - are good or bad for society, art and culture.

One co-worker, a self-proclaimed techno-junkie, argued that such sites helped to make the world smaller and allowed him to stay in contact with a vast network of friends - many of whom are spread out across the nation. Valid point notwithstanding, I can help but note that it seems as though such sites have decreased our ability to interface (a word that once had a human connotation and has since taken on a technological one) with one another.

I have a MySpace account. However, I rarely use it. It contains no photographs or personal information - it was actually created so I could look at a friend’s page. I’ve withstood subscribing to Facebook, and refuse to upload videos to YouTube. The latter is a decision that was prompted by the thinking of author and thinker, Andrew Keen. I don’t share Keen’s extreme criticisms of the internet. However, I do share some of his sentiments regarding YouTube. Keen argues that sites like YouTube have made the production of art too accessible - allowing anyone to produce so-called “art.” In his book, The Cult of the Amateur: How Today’s Internet is Killing Our Culture, Keen asserts:

“…the free, user-generated content spawned and extolled by the Web 2.0 revolution is decimating the ranks of our cultural gatekeepers, as professional critics, journalists, editors, musicians, moviemakers, and other purveyors of expert information are being replaced…by amateur bloggers, hack reviewers, homespun moviemakers, and attic recording artists. Meanwhile, the radically new business models based on user-generated material suck the economic value out of traditional media and cultural content.”

At what point does technology start to hurt us? When does information lose its value? How far should we go with our use of online social-networks and information sharing sites? The Guardian had an interesting article last month by writer Tom Hodgkinson, on his disdain for Facebook. Hodgikinson writes, “Doesn’t it rather disconnect us, since instead of doing something enjoyable such as talking and eating and dancing and drinking with my friends, I am merely sending them little ungrammatical notes and amusing photos in cyberspace, while chained to my desk?” Valid point.

Of course, I can’t say that I fully agree with any of the thoughts written within this essay. You are reading a blog - a product of the internet. I could be dumbing down information, or as Keen calls it, “superficial observations of the world around us rather than deep analysis, shrill opinion rather than considered judgment.”

Maybe technology has become just like the Daft Punk song - an endless list of rote, that never seems to have a profound impact on the strings of human existence. Then again, maybe everything I’ve written is superficial crap.





Robert Irwin: Primaries and Secondaries

27 02 2008

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It’s hard to argue that Robert Irwin’s work is anything other than prolific. The contemporary artist’s career has been described as epic - one critic commented that “odyssey would probably be a better word than career.”

Last week, my girlfriend and I revisited his Primaries and Secondaries exhibition at the Museum of Contemporary Art San Diego. A vast survey of Irwin’s art, the exhibition is an enthralling experience. Irwin began as a painter and eventually moved to installation pieces, serving as a pioneer of the light and space school - one of the most important movements the West Coast has produced.

A few years back, he designed “1°, 2°, 3°, 4°” (below, left), at the La Jolla wing of MCASD. An enveloping piece - Irwin created three apertures in the large glass-paned windows overlooking La Jolla Cove. The result was an experience that transformed the space from gallery to a quietly transcendental environment.

About half of the Primaries Secondaries exhibition closed at the end of February, and I knew I had to see the piece “Who’s Afraid of Red, Yellow & Blue3” (above) one more time. The pièce de résistance of the exhibition, it consists of six polished aluminum panels in primary colors. In groupings of two, one on the floor and one suspended above (blue above blue, et al) the MCASD’s Jacobs Building is transformed into a utterly captivating space. The piece vacillates between kitsch and divine - sweeping the viewer up in to itself.

If you have a chance, go see this fantastic exhibit. Unfortunately, “Who’s Afraid of Red, Yellow & Blue3” is gone, but other pieces will remain on exhibit until mid-April. (The museum is free for those 25 and under).

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Small Plans

26 02 2008

I came across this quote in an essay in Michael Bierut’s 79 Short Essays on Design: “Make no small plans, for they have no magic to stir men’s blood.” - Daniel Burnham.

As we head in to the Easter season, I have to keep this in mind. With the high “invite factor,” it is so important to put forth all our efforts to craft the most innovative, moving and powerful services. If there is ever a time to maximize our creative output, it’s now. I hope and pray that our team can create huge plans - plans that have “magic,” plans that “stir men’s blood.”





When Do We Worry?

17 02 2008

So, a U.S. spy satellite is falling to earth sometime in the near future. The U.S. military intends to attempt to shoot it out of the sky before it causes harm to anyone - they believe they have an 80% chance at success.

The sky is, quite literally, falling.

At what point should we start worrying?





How to Have Better Work

12 02 2008

I picked up Michael Bierut’s Seventy-nine Short Essays on Design and have been perusing through it over the last week or so. It’s a good compendium of many of the essays Bierut has written over the years for DesignObserver.com, Communication Arts and other design editorials. Witty and thoughtful, Bierut’s musings on design and culture are good reading for anyone in any sort of creative field.

In the essay “Warning: May Contain Non-Design Content”, Bierut writes:

“Over the years, I came to realize that my best work has always involved subjects that interested me, or - even better - subjects about which I’ve become interested, even passionate about, through the very process of doing design work. I believe I am still passionate about graphic design. But the great thing about graphic design is that it is almost always about something else. Corporate law. Professional football. Art. Politics. Robert Wilson. And if I can’t get excited about whatever that something else is, I really have trouble doing good work as a designer. To me, the conclusion is inescapable: the more things you’re interested in, the better your work will be.”

I think it’s fine to assert that this thinking can, and should, be applied to any creative field. It is so important to constantly broaden your intellectual and creative horizons. Such thinking has caused me to search out new fields to read up on - astronomy, polar conservation, jazz, whatever. The more I know, the more creatively I can solve a problem. By being more knowledgeable, I can innovate better.





Logos in ‘08

11 02 2008

Interesting post on Logo Design Trends in 2008 by the guys at Logo Orange.





There Is No Box

10 02 2008

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Have you seen FX Networks’ new branding efforts?

They ditched the klieg lights from the logo and have adopted the slogan: “There is No Box.” The TV spots are so innovative - I love them. It might be the best network branding since NBC first used the Peacock in 1956. Brilliant.





The Green Room

10 02 2008

Yesterday, along with 28 members of our Arts team (mostly volunteers), I attended The Green Room - a gathering for artists that serve in the local church. Presented by The Willow Creek Association, this regional one-day Arts event was an incredible asset to me and our team. We learned much, and I know all of us came away with at least one learning (though it’d be hard to find anyone who only had one - there were many learnings). Nancy Beach, VP of the Arts for the WCA, led the event and did an excellent job in casting vision about what the core values of an arts ministry should be. (If you’re interested in the use of arts in the local church, check out An Hour on Sunday.)

Here’s a two of my thoughts following the event:

1. We need more in our “toolbox.” Our weekend services can’t just rely on music and teaching. We need to broaden our use of the arts. (Which has led me to question how to spark movements in areas like dance and drama within our church.)

2. Evaluation, evaluation, evaluation. We need to grow in this area. We need to raise our level of thoughtful discussion following the execution of our weekend services.

On the drive home, two of our volunteers rode with me. Our discussion centered around learnings and thoughts of the event. It was a great discussion. They shared with me what they learned and also what they thought I and those who lead alongside me could do to better utilize their gifts and service. It was an invaluable conversation. My major take-away from the drive was this: I never want to become a leader who stops listening. I want those who serve under me to always feel as though they have someone who is for them, someone who is accessible and wants to see them become better at what they do. Because, when volunteers in the local church get better, the church gets better. And better churches are a big win - a big one.





Primary Season

7 02 2008

I’m not about to start ranting about my political ideologies within the context of this blog - so, keep reading.

All I really want to say is that the 2008 presidential race is exciting. The fact that, for the first time in my voting life, I have a candidate that I want to vote for, rather than one I want to vote against. Also, all the number crunching, delegate counting - the fact that the Democratic race is so close - is rousing. It’s about time politicians inspired us and made us passionate about our government. It’s about time they provoked our passions. It’s about time we were proud of our nation again.

That’s all, back to non-political talk next time.





Eureka in the NYT

4 02 2008

Interesting article in the Sunday NY Times. The author quotes Berkun several times. Again, we continuing to understand that solutions don’t just fall out of the sky - epiphany is just a myth.

I like what Jim Marggraff, creator of LeapPad, LeapFrog’s Fly pen and the Odyssey Altasphere, says about problem solving:

“The aha moments grow out of hours of thought and study…If you look at my innovations, there’s a common theme. I take something familiar, intuitive and ubiquitous and recast it in a manner that will redefine its use to drive profound change…Typically, I’ll fall asleep chewing on it and then I’ll wake up at 4 in the morning with some sort of solution.”